Tony Scott has been applying hyper-coloured flash to movies for three decades, but Unstoppable,
his two-men-against-a-runaway-train logistical rollercoaster ride, is
the first in some while where style and concept get on a treat. Based on
what they now like to call “actual” events, one suspects about as
closely as Speed was based on research into the LA transit system, it
exists in a satisfying zone between simplicity, laser-targeted technical
proficiency, and giddy dumbness.
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